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1991 American fantasy pic

Claw
Hook poster transparent.png

Theatrical release poster by Drew Struzan
Directed by Steven Spielberg
Screenplay by
  • Jim V. Hart
  • Malia Scotch Marmo
Story by
  • Jim V. Hart
  • Nick Castle
Based on Peter and Wendy
by J. M. Barrie
Produced by
  • Kathleen Kennedy
  • Frank Marshall
  • Gerald R. Molen
Starring
  • Dustin Hoffman
  • Robin Williams
  • Julia Roberts
  • Bob Hoskins
  • Maggie Smith
  • Charlie Korsmo
Cinematography Dean Cundey
Edited by Michael Kahn
Music by John Williams

Production
company

Amblin Entertainment
Distributed by TriStar Pictures

Release date
  • December 11, 1991 (1991-12-xi)

Running time

 142 minutes[1]
Country United States
Language English
Budget $lxx million[2]
Box office $300.ix 1000000

Hook is a 1991 American fantasy swashbuckler adventure film directed by Steven Spielberg[three] and written past James V. Hart and Malia Scotch Marmo. It stars Dustin Hoffman in the championship role, Robin Williams as Peter Banning / Peter Pan, Julia Roberts as Tinker Bong, Bob Hoskins as Mr. Smee, and Maggie Smith as Granny Wendy. It acts as a sequel to J. M. Barrie's 1911 novel Peter and Wendy focusing on an adult Peter Pan who has forgotten all about his childhood. In his new life, he is known as Peter Banning, a successful simply unimaginative and workaholic lawyer with a wife (Wendy's granddaughter) and two children. However, when Captain Claw, the enemy of his past, kidnaps his children, he returns to Neverland to save them. Along the journeying, he reclaims the memories of his past and becomes a better person.

Spielberg began developing the motion-picture show in the early on 1980s with Walt Disney Productions and Paramount Pictures, which would accept followed the storyline seen in the 1924 silent film and 1953 animated Disney film. Information technology entered pre-production in 1985, merely Spielberg abandoned the project. Hart developed the script with director Nick Castle and TriStar Pictures before Spielberg decided to direct in 1989. It was shot almost entirely on sound stages at Sony Pictures Studios in Culver City, California.

Released on December 11, 1991, Hook received mixed reviews from critics, who praised the performances (particularly those of Williams and Hoffman), John Williams' musical score, and production values, only criticized the screenplay and tone. Although it was a commercial success, its box office take was lower than expected. Spielberg also after came to be disappointed with the film.[4] [five] It has gained a potent cult post-obit since its release.[6] [7] [8] It was nominated in five categories at the 64th University Awards. It also spawned merchandise, including video games, action figures, and comic book adaptations.

Plot [edit]

Successful San Francisco corporate lawyer Peter Banning has become a workaholic, straining his relationship with his married woman Moira and their children Jack and Maggie. Afterwards promising to nourish at to the lowest degree one of Jack's baseball games, just missing the last game of the flavour, Peter flies with his disappointed family to London to visit Moira'south grandmother, Wendy Darling. In London, Peter, Moira and Wendy nourish a charity dinner in Wendy'due south accolade at the Great Ormond Street Hospital, leaving Wendy'due south old friend Tootles and her housekeeper Liza with the children. When they render, they observe the house broken into and the children missing, along with a bribe note from the man responsible, Captain James Claw. Peter involves the authorities, but they are unable to help, and Wendy insists that only he can salvage Jack and Maggie, every bit he is actually Peter Pan.

Peter refuses to believe her. Later, in the plant nursery, he encounters Tinker Bell, who brings him to Neverland with pixie dust. She drops Peter into Hook's pirate haven, where he reveals himself to Smee and Hook after seeing his children on display. Surprised to run across how weak and quondam Peter has become, Hook challenges him to wing and rescue his children, preparing to execute him when he fails. Tinker Bell intervenes and persuades Hook to release Peter instead, promising to train him for boxing over the next three days and requite him the fight he desires. Afterwards accidentally falling overboard and existence saved by Neverland mermaids, Peter is so taken to the hideout of the Lost Boys, now led by Rufio. The boys mock Peter at first, but somewhen recognize and train him, encouraging him to use the power of his imagination that helps him to restore his memory and abilities.

Meanwhile, Hook despairs that he will not have true revenge on Peter, until Smee suggests they manipulate the Banning children into switching sides. This does not work with Maggie, only Jack is swayed due to Peter's repeated broken promises. Hook has the pirates play a game of baseball game, which Peter sees while trying to steal Hook'south namesake. Dismayed to run across Jack treating Hook every bit a male parent effigy, Peter returns to the Lost Boys' camp with renewed conclusion. Subsequently seeing his shadow move independently, Peter follows information technology and discovers the original treehouse where Wendy and her brothers once stayed. Inside, Tinker Bong helps Peter remember how he was lost as an infant in the early 1900s, brought by her to Neverland, went to have many adventures, and when he outset met the Darlings. He also recalls oft visiting Wendy after the Darlings returned to London, until Wendy grew old to get back. Although heartbroken, Peter then savage in love with Wendy's granddaughter Moira and chose to stay, due to his desire to become a father, and became adopted by the Bannings, only at the cost of his memories.

Recalling Jack'south nascence is the strong, happy thought that restores Peter's ability to wing, bringing him back equally Peter Pan. Rufio turns his sword over to Peter in reverence, the Lost Boys celebrate and, that nighttime, Tinker Bell professes her dearest for Peter with a osculation. However, Peter yet chooses his family and professes his love for Moira. Although heartbroken by his rejection, Tinker Bell accepts this and encourages him to become save his children.

The next solar day, Peter and the Lost Boys fight Hook and his pirates while Jack watches. Peter rescues Maggie, and Claw's crew surrenders, just Rufio duels Claw and is fatally wounded. With his dying jiff, Rufio wishes he could have had a father like Peter. Jack comes to his senses about his father, and they reconcile. Peter duels Hook and defeats him, whereupon Hook is devoured by the reanimated corpse of the taxidermied Crocodile. Tinker Bell takes Jack and Maggie back to London, and Peter appoints young Lost Boy Thud Butt as his successor, before leaving.

Peter awakens in Kensington Gardens, seeing someone resembling Mr. Smee sweeping up some empty bottles nearby. Tinker Bell appears and bids a bawling farewell to Peter before departing. Reuniting with his family at Wendy'due south house, Peter decides to devote more than fourth dimension to them. Peter hands sometime Lost Boy Tootles his quondam purse of marbles (which Thud Butt had given to Peter earlier), whereupon Tootles joyfully sprinkles himself with pixie dust and takes off. As Peter and his family unit sentinel Tootles fly dorsum to Neverland, Wendy remarks that their adventures are truly over; Peter counters that "to live would be an awfully large adventure".

Cast [edit]

  • Dustin Hoffman as Captain James Hook
  • Robin Williams as Peter Banning / Peter Pan
    • Ryan Francis every bit preteen Peter Pan
    • Max Hoffman as young Peter Pan
    • Matthew Van Ginkel as babe Peter Pan
  • Julia Roberts as Tinker Bell
    • Lisa Wilhoit as Tinker Bong in a flashback in which Peter is a infant
  • Bob Hoskins every bit Smee / Sweeper in Kensington Gardens
  • Maggie Smith every bit Granny Wendy
    • Gwyneth Paltrow every bit teenage Wendy Darling
  • Charlie Korsmo as Jack Banning, Peter and Moira'due south son
  • Caroline Goodall as Moira Banning, Peter'south wife and Jack and Maggie's mother
  • Dante Basco equally Rufio
  • Bister Scott as Maggie Banning, Peter and Moira'southward girl
  • Jasen Fisher as Ace
  • Laurel Cronin as Liza, Granny Wendy's maid
  • Phil Collins as Inspector Good
  • Arthur Malet every bit Tootles
  • Isaiah Robinson every bit Pockets
  • Raushan Hammond equally Thud Barrel
  • James Madio as Don't Ask
  • Thomas Tulak as As well Small-scale
  • Alex Zuckerman as Latchboy
  • Ahmad Stoner equally No Nap

In addition, a number of celebrities and family members made brief credited and uncredited cameos in the film:[nine] musicians David Crosby and Jimmy Buffett, as well as Oscar-nominated actress Glenn Close and former boxer Tony Burton, appear every bit members of Claw'south pirate crew; two major Star Wars associates, George Lucas and Carrie Fisher, play the kissing couple sprinkled with pixie dust; two of Hoffman's children, Jacob and Rebecca, both nether 10-years-old during filming, briefly appeared in scenes in the "normal" globe; and screenwriter Jim Hart'south xi-year-old son Jake, who years earlier inspired his father with the question "What if Peter Pan grew up?", plays one of Pan'southward Lost Boys.

Production [edit]

Inspiration [edit]

Spielberg found a close personal connection to Peter Pan'due south story from his own childhood. The troubled human relationship between Peter and Jack in the picture show echoed Spielberg's relationship with his ain begetter. Previous Spielberg films that explored a dysfunctional father-son relationship included E.T. the Extra-Terrestrial and Indiana Jones and the Last Crusade. Peter'south "quest for success" paralleled Spielberg starting out as a film managing director and transforming into a Hollywood business organisation magnate.[10] "I retrieve a lot of people today are losing their imagination considering they are work-driven. They are so self-involved with work and success and arriving at the adjacent plateau that children and family almost become incidental. I have even experienced it myself when I have been on a very tough shoot and I've not seen my kids except on weekends. They ask for my time and I tin't give it to them because I'm working."[11] Like Peter at the beginning of the film, Spielberg has a fear of flying. He feels that Peter's "enduring quality" in the storyline is simply to fly. "Someday annihilation flies, whether it's Superman, Batman, or E.T., it's got to exist a tip of the chapeau to Peter Pan," Spielberg reflected in a 1992 interview. "Peter Pan was the beginning time I saw anybody fly. Earlier I saw Superman, before I saw Batman, and of course before I saw any superheroes, my beginning memory of everyone flying is in Peter Pan."[11]

Pre-production [edit]

The genesis of the film started when Spielberg's female parent often read him Peter and Wendy as a bedtime story. He explained in 1985 "When I was 11 years sometime I really directed the story during a school product. I have ever felt like Peter Pan. I notwithstanding experience similar Peter Pan. Information technology has been very hard for me to grow up, I'm a victim of the Peter Pan syndrome."[12]

In the early 1980s, Spielberg began to develop a pic with Walt Disney Pictures that would have closely followed the storyline of the 1924 silent film and 1953 blithe movie.[11] He also considered directing it as a musical with Michael Jackson in the lead.[13] Jackson expressed involvement in the part, but was not interested in Spielberg's vision of an developed Peter Pan who had forgotten about his past.[14] The projection was taken to Paramount Pictures,[xv] where James V. Hart wrote the outset script with Dustin Hoffman already cast as Captain Hook.[13] Information technology entered pre-product in 1985 for filming to begin at sound stages in England. Elliot Scott had been hired as product designer.[11] With the nascence of his commencement son, Max, in 1985, Spielberg decided to drib out. "I decided not to make Peter Pan when I had my get-go child," Spielberg commented. "I didn't want to get to London and have 7 kids on wires in front of bluish screens. I wanted to be home every bit a dad."[13] Effectually this time, he considered directing Big, which carried similar motifs and themes with it.[13] In 1987, he "permanently abandoned" it, feeling he expressed his childhood and adult themes in Empire of the Sun.[16]

Meanwhile, Paramount and Hart moved forwards on production with Nick Castle as director. Hart began to work on a new storyline when his son, Jake, showed his family a drawing. "We asked Jake what information technology was and he said information technology was a crocodile eating Captain Hook, but that the crocodile really didn't swallow him, he got abroad," Hart reflected. "As it happens, I had been trying to crack Peter Pan for years, but I didn't just want to do a remake. So I went, 'Wow. Claw is not expressionless. The crocodile is. We've all been fooled'. In 1986 our family was having dinner and Jake said, 'Daddy, did Peter Pan ever abound up?' My immediate response was, 'No, of course not'. And Jake said, 'Just what if he did?' I realized that Peter did grow up, only like all of united states of america babe boomers who are at present in our forties. I patterned him later several of my friends on Wall Street, where the pirates clothing iii-piece suits and ride in limos."[17]

Tom Hanks was Spielberg's original selection for the office of Peter Pan.[eighteen]

Joseph Mazzello auditioned for the role of Jack Banning, he was turned downwardly considering he deemed too immature for the role. Mazzello was later cast equally Tim Spud in Jurassic Park.[nineteen]

David Bowie, Christopher Lloyd, and Donald Sutherland were considered for Captain Hook.[twenty]

Filming [edit]

By 1989, Ian Rathbone changed the title to Claw, and took information technology from Paramount to TriStar Pictures, headed by Mike Medavoy, who was Spielberg's first talent amanuensis. Robin Williams signed on, but he and Hoffman had creative differences with Castle. Medavoy saw the film equally a vehicle for Spielberg and Castle was dismissed, but paid a $500,000 settlement.[17] Dodi Fayed, who endemic sure rights to brand a Peter Pan picture show, sold his interest to TriStar in exchange for an executive producer credit.[21] Spielberg briefly worked together with Hart to rewrite the script[11] before hiring Malia Scotch Marmo to rewrite Captain Claw'due south dialog and Carrie Fisher for Tinker Bell'southward.[22] The Writers Social club of America gave Hart and Marmo screenplay credit, while Hart and Castle were credited with the story. Fisher went uncredited. Filming began on February 19, 1991, occupying nine sound stages at Sony Pictures Studios in Culver City, California.[2] Stage 30 housed the Neverland Lost Boys playground, while Stage 10 supplied Captain Hook'due south send cabin. Hidden hydraulics were installed to rock the gear up-slice to simulate a swaying ship, but the filmmakers found the movement distracted the dialogue, so the idea was dropped.[23]

Stage 27 housed the total-sized Jolly Roger and the surrounding Pirate Wharf.[23] Industrial Lite & Magic provided the visual effects sequences. This marked the beginning of Tony Swatton's career, as he was asked to brand weaponry for the film. It was financed by Amblin Entertainment and TriStar Pictures, with TriStar distributing it. Spielberg brought on John Napier equally a "visual consultant", having been impressed with his piece of work on Cats. The original production budget was set at $48 million, but concluded upwardly between $60–80 1000000.[24] [25] The primary reason for the increased budget was the shooting schedule, which ran 40 days over its original 76-day schedule. Spielberg explained, "Information technology was all my mistake. I began to piece of work at a slower step than I usually do."[26]

Spielberg'due south on-set up relationship with Julia Roberts was troubled, and he later admitted in an interview with 60 Minutes, "It was an unfortunate time for us to work together."[27] In a 1999 Vanity Fair interview, Roberts said that Spielberg's comments "really injure my feelings." She "couldn't believe this person that I knew and trusted was really hesitating to come to my defence force...it was the first time that I felt I had a turncoat in my midst."[28]

Soundtrack [edit]

Hook (Original Motion Film Soundtrack)
Film score by

John Williams
Released November 26, 1991 (1991-11-26) (original)
March 27, 2012 (2012-03-27) (reissue) [29]
Length 75:eighteen (original)
140:34 (reissue)
Characterization Epic Soundtrax (original)
La-La Land Records (reissue)
John Williams chronology
Dwelling house Solitary
(1990) 		Hook (Original Motion Picture Soundtrack)
(1991) 		JFK
(1991)

The film score was composed and conducted by John Williams. He was brought in at an early stage when Spielberg was considering making the motion picture as a musical. Accordingly, he wrote around eight songs for the projection at this stage. The thought was later on abased.[thirty] Most of his song ideas were incorporated into the instrumental score, though two songs survive every bit songs in the finished motion-picture show: "We Don't Wanna Grow Up" and "When You're Solitary", both with lyrics by Leslie Bricusse.[26] The track called "Prologue" as made appearances in trailers for Matilda, another film by TriStar Pictures.

The original 1991 upshot was released by Epic Soundtrax.[31] In 2012, a limited edition of the soundtrack, called Hook: Expanded Original Motility Picture Soundtrack, was released by La-La Land Records and Sony Music.[29] It contains almost the consummate score with alternates and unused material. It also contains liner notes that explain the pic'south production and score recording.

Commercial songs from the flick, but not on the soundtrack[xxx]
  • "Selection'em Up" – Music by John Williams and lyrics by Leslie Bricusse
  • "Accept Me Out to the Brawl Game" – Written past Jack Norworth and Albert Von Tilzer

Video games [edit]

A video game based on the moving picture and begetting the same proper name was released for the Super Nintendo Entertainment System in 1991. The game was released for boosted game consoles in 1992.[32] Another game was released for PC and Commodore Amiga, and is a Betoken and Click gamble game.

Reception [edit]

Box function [edit]

Spielberg, Williams, and Hoffman did not take salaries for the film. Their deal called for them to split xl% of TriStar Pictures' gross revenues. They were to receive $20 million from the first $50 million in gross theatrical motion-picture show rentals, with TriStar keeping the next $lxx million in rentals before the iii resumed receiving their percentage.[2] The film was released in N America on December eleven, 1991, earning $xiii.5 meg in its opening weekend. It went on to gross $119.7 one thousand thousand in the The states and Canada and $181.two million in strange countries, accumulating a worldwide total of $300.9 million.[33] It is the sixth-highest-grossing "pirate-themed" moving picture, backside all v films in the Pirates of the Caribbean area film series.[34] In the Us and Canada, information technology was the sixth-highest-grossing film in 1991,[35] and quaternary-highest-grossing worldwide.[36] It was the 2nd highest-grossing film in Nihon with theatrical rentals of $22.four million.[37] [38] Information technology ended up making a profit of $l million for the studio, yet it was still declared a financial disappointment,[39] having been overshadowed by the release of Disney's Beauty and the Animate being and a decline in box-role receipts compared to the previous years.[40]

Critical response [edit]

Steven Spielberg later admitted in interviews that he was disappointed with the final consequence of the pic.

Review aggregator Rotten Tomatoes reports that 29% of critics accept given the film a positive review, based on 66 reviews, with an average rating of 4.lxx/10. The site's consensus states: "The look of Hook is lively indeed but Steven Spielberg directs on autopilot here, giving in also quickly to his sentimental, syrupy qualities."[41] On Metacritic, the film has a 52 out of 100 rating, based on reviews from nineteen critics, indicating "mixed or boilerplate reviews".[42] Audiences polled by CinemaScore gave the film an average grade of "A-" on an A+ to F scale.[43]

Roger Ebert of the Chicago Lord's day-Times wrote that:

The lamentable thing most the screenplay for Hook is that it's so correctly titled: This whole construction is really zip more than a hook on which to hang a new version of the Peter Pan story. No effort is made to involve Peter's magic in the changed globe he now inhabits, and little thought has been given to Captain Hook's extraordinary persistence in wanting to revisit the events of the past. The failure in Hook is its inability to re-imagine the material, to observe something new, fresh or urgent to do with the Peter Pan myth. Lacking that, Spielberg should merely have remade the original story, straight, for this generation.[44]

Peter Travers of Rolling Rock mag felt it would "but appeal to the baby boomer generation" and highly criticized the sword-fighting choreography.[45] Vincent Canby of The New York Times felt the story structure was not well balanced, feeling Spielberg depended too much on fine art direction.[46] Hal Hinson of The Washington Post was 1 of few who gave it a positive review. Hinson elaborated on crucial themes of children, machismo, and loss of innocence. However, he said that Spielberg "was stuck too much in a theme park world".[47]

Accolades [edit]

The flick was nominated for 5 categories at the 64th Academy Awards. This included Best Art Direction (Norman Garwood, Garrett Lewis) (lost to Bugsy), Best Costume Blueprint (lost to Bugsy), Best Visual Effects (lost to Terminator 2: Judgment Day), Best Makeup (lost to Terminator 2: Judgment Mean solar day) and Best Original Vocal (for "When You're Alone"; lost to Beauty and the Animal).[48] Information technology lost the Saturn Award for Best Fantasy Film to Aladdin, in which Williams co-starred,[49] while cinematographer Dean Cundey was nominated for his work by the American Gild of Cinematographers.[50] Hoffman was nominated for the Gold Globe Award for Best Actor – Movie Musical or One-act (Hoffman actually lost to his co-star Robin Williams for his performance in The Fisher Rex).[51] John Williams was given a Grammy Award nomination for Best Score Soundtrack for Visual Media;[52] Julia Roberts received a Golden Raspberry Award nomination for Worst Supporting Actress (lost to Sean Young as the dead twin in A Kiss Earlier Dying).[53]

Legacy [edit]

In years since the release of the film, Steven Spielberg admitted in interviews that he was not proud of the film and disappointed with the last issue. In 2011, he told Entertainment Weekly: "There are parts of Claw I dearest. I'm really proud of my work correct upward through Peter existence hauled off in the parachute out the window, heading for Neverland. I'm a little less proud of the Neverland sequences because I'k uncomfortable with that highly stylized world that today, of course, I would probably have done with live-action graphic symbol work inside a completely digital set. Just nosotros didn't accept the engineering science to practice it and so, and my imagination simply went as far as building physical sets and trying to paint trees blue and red."[4] Spielberg gave a more edgeless cess in a 2013 interview on Kermode & Mayo'south Film Review Show: "I wanna run across Hook over again considering I so don't like that movie, and I'1000 hoping someday I'll run across information technology once more and peradventure similar some of it."[54]

In 2018, Spielberg told Empire, "I felt like a fish out of h2o making Hook... I didn't have confidence in the script. I had confidence in the offset act and I had conviction in the epilogue. I didn't accept confidence in the body of information technology." He added, "I didn't quite know what I was doing and I tried to paint over my insecurity with product value," admitting "the more insecure I felt near it, the bigger and more than colorful the sets became."[five]

In a 2020 interview with Collider Games, actor Dante Basco revealed that he's working on an animated prequel series about his character Rufio.[55] [56]

John Williams' musical score was particularly praised and is considered by many as one of his all-time.[57] [58] [59]

Encounter also [edit]

  • List of films featuring miniature people

References [edit]

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  54. ^ Kermode, Marking; Mayo, Simon (Jan 25, 2013). "Steven Spielberg interviewed by Kermode & Mayo". Kermode and Mayo's Film Review. Archived from the original on April 17, 2016. Retrieved February 18, 2016 – via YouTube.
  55. ^ "Dante Basco Talks Bogus Season 3, Rufio'south Legacy and Being Function of the Last Airbender Family unit". Revog. YouTube. seven July 2020. Archived from the original on 2020-07-thirteen.
  56. ^ "@dantebasco revealed he'due south working on an animated prequel series about his iconic character #Rufio!". Revog Games. 7 July 2020. Archived from the original on 2020-07-07 – via Twitter.
  57. ^ Hicks, Chris (January 11, 1992). "'Claw' COMPOSER SCORES Large WITH Drove OF Film THEMES". Deseret News. {{cite web}}: CS1 maint: url-condition (link)
  58. ^ "The Acme ten John Williams Scores of All Time". Collider. 18 December 2019. {{cite web}}: CS1 maint: url-status (link)
  59. ^ "15 Legendary John Williams Film Scores". Musicnotes.com. 17 October 2018. {{cite web}}: CS1 maint: url-status (link)

Bibliography [edit]

  • Brooks, Terry (1991). Hook (Hardcover). novelization of the moving picture. Ballantine Books. ISBN0-449-90707-4.
  • Charles Fifty.P. Silet (2002). The Films of Steven Spielberg. Scarecrow Press. ISBN0-8108-4182-7.
  • McBride, Joseph (1997). Steven Spielberg: A Biography. New York City: Faber and Faber. ISBN0-571-19177-0.
  • Medavoy, Mike; Young, Josh (2002). Yous're Only as Good as Your Next One: 100 Groovy Films, 100 Good Films, and 100 for Which I Should Be Shot. New York City: Atria Books. ISBN978-0743400558.

External links [edit]

  • Hook at IMDb
  • Claw at the TCM Movie Database
  • Hook at Box Office Mojo
  • Hook at Rotten Tomatoes
  • Hook at Metacritic Edit this at Wikidata
  • Sony Imagesoft'southward Hook at MobyGames
  • Sea'southward Hook at MobyGames

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Source: https://en.wikipedia.org/wiki/Hook_(film)

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